An independent catalog built one song at a time — horn-forward grooves, soulful vocals, and a sound that lives at the crossroads of jazz, R&B, and contemporary soul. Always in service to the song and the room.
The ocean outside the window, a saxophone at sunrise — a meditation on distance, return, and the small stillness between one chapter and the next. Patrick’s latest — a horn-forward ballad built for the drive home.
In service to the song and the people.
A horn-and-voice reimagining of the Gino Vannelli classic — patient, soulful, and built for a room that leans in. Patrick on saxophone and vocal, B.Slade carrying it home. A duet that reminds you why the song still finds new rooms to walk into.
A horn-forward groove co-produced with guitarist Blake Aaron and anchored by Mel Brown on bass — the title says it all. A clean slate, a fresh chapter, and a sound that lands somewhere between a sunlit Sunday drive and a late-night cocktail set. Patrick at his most relaxed and most assured.
A fresh start — in service to the song.
Self-produced, self-released, and picked up by SiriusXM Watercolors on its way to becoming most-added to Billboard Radio. An unmistakable horn-line hook riding a laid-back pocket — one of three Top-Five Billboard hits from Patrick’s independent catalog.
Twelve tracks, one statement — recorded in Los Angeles with Grammy- winning keyboardist Jeff Lorber and an all-star cast of session players. The album that gave us “Tailgate” alongside “Beauty and the Beast,” “Homebrew,” and “Light It Up” — horn-forward, smooth-edged, and shot through with the soul Patrick built his name on.
One album. Twelve invitations to the room.
A partial list of the legends Patrick has toured, recorded, or shared bills with over a career on the road.
“Awesome set of songs here — by a saxophone artist whose time has come.”
A studio cut is the invitation. The room is the answer — where horn, voice, and band meet the audience in real time.